Ivy Vo
Artist, graphic designer, sidequester, etc
Currently on residency at airHue. Instagram




⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
PERSONAL

Face Lift
miss word
G9
Photo shop
4044
Confusion Fusion

installtion
installation
video + object
print
????
video 2025
2025
2025 - 2024
2024
4044
2022
DESIGN

Sine Screen_An Impossible and Abandoned Grasp
Baesianz
Dr Martens_Lunar New Year
Sine Screen_Ghosts, Monsters and Cinematic Elsewhere 
Damn Sweet XL House 芳心公寓｡.✿ 
MØRNING.FYI_BURN BØØK 

zine
poster 
title
poster

exhibition assets
zine cover + calendar2025
2022 - present
2024
2024

2024
2023◘ MOTION



pov (■■■□□LOADING)
MØRNING.FYI_ALIVE? (■■■□□LOADING)
minus one: Enter The Noid artist commission
social content
vísualiser2025
2025
2023

⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⣴⣗⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣹⠿⠃⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣾⡿⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣰⡟⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢰⡿⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣠⡿⠁⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢠⣿⠁⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠐⢶⣤⡠⡀⠀⠀⠀⠀⠀⠀⠀⢠⣿⠃⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠈⠈⠛⠳⠦⣄⣤⣤⣼⣴⡿⡏⡀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠋⢿⣿⣾⣿⣿⣅⡀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢸⡟⣯⢻⣟⠏⠛⠳⢤⣄⣀⡀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣿⡿⣿⡾⠁⠀⠀⠀⠀⠀⠙⠓⠷⣤⣀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣔⣱⡃⡟⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠴⢜⡢⠄⠀⠀⠀⠀⠀⢰⣛⣿⡟⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠈⡄⠀⠀⠀⠀⠀⢀⣿⠷⣻⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣿⢿⣾⠃⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⣦⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⡜⠁⢾⠇⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⡃⠀⠀⠀⠀⠀⠀⠀⠀⠀⣰⡿⠃⡜⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢠⡀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠇⠀⠀⠀⠀⠀⠀⠀⠀⢠⢯⡷⡰⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠙⠁⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢠⠀⠀⠀⠀⠀⠀⠀⢀⢏⡾⡷⠁⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⡄⠀⠀⠀⠸⠀⢀⣄⠀⠀⠀⢀⣾⣿⢉⠃⠀⠀⠀⠀⠀⡀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠺⠍⠁⠀⠀⠐⠀⠀⣋⠀⠀⠀⣼⣴⣻⠇⠀⠀⠀⠀⠀⡄⠁⠀⠀⠀⠀⡆⢀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠈⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⡄⠀⠀⢃⠄⣸⣿⠿⡗⠀⢠⠀⠀⠀⠆⠀⠀⠀⠀⠀⠘⡋⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠐⡄⠀⠀⠀⠀⠀⡀⠀⠀⡀⠀⠀⠀⡀⣰⣿⢭⡝⠁⠈⠛⠁⠰⠁⠀⠀⠀⠀⠀⠀⠀⠂⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣀⠘⠈⣠⡅⢀⠰⠀⣦⡏⢛⠦⠃⡀⠀⠀⠜⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠐⠀⠀⠙⠀⠐⡈⡠⠌⠀⠼⠉⣵⢼⠛⠀⠁⡠⠂⡀⠶⠂⠀⠒⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⢀⠔⠣⠁⢀⠢⠂⠣⠄⣀⣉⢨⠰⠁⠀⡅⠔⠀⠄⢀⠀⠀⠀⠚⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣠⣆⡀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠈⠀⠀⠀⡀⠀⠈⡀⠈⠅⡀⠀⡆⠀⣸⢃⠃⠢⠃⠀⠈⠀⠀⠷⠔⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⡉⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠄⠉⠁⢂
⠀⠀⠀⠀⠀⠀⠀⠀⡐⢤⠃⠘⡋⠐⠁⠼⢞⠈⡞⠁⠴⠖⢠⡘⠀⠈⠏⠀⠤⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠁⡕⡂⠃⠠⠠⠈
⠀⠀⠀⠀⠀⠀⠐⠀⠏⠘⠀⠀⠀⠆⡠⣄⠜⢀⡀⣁⡀⠁⠈⠀⣀⠀⠥⠀⠒⠒⠂⠀⠀⠭⠉⠙⣻⣿⣶⠄⠠⠠⠤⠤⠀⠀⠀⠀⠀⠒⠒⠚⢒⠚⠛⠻⠽⠛⠛⠒⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⢠⣠⠐⣶⠂⠈⢳⢄⡠⠉⢠⠀⢰⠀⠜⠅⠈⠁⠀⠀⠀⠄⠀⠀⠀⠀⠈⠉⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠂⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⢀⢨⠀⠊⣸⠞⣠⠘⣧⢸⠘⡀⠘⠃⠤⠀⠈⢌⠨⠁⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⣠⠀⠀⠐⢠⣎⠪⢀⣁⠒⠳⢸⠠⣗⢶⠂⢀⠀⡀⠀⡈⠀⠀⠈⠀⠄⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠐⠇⠀⠀⠀⠈⠠⠀⠈⢈⣯⠖⣞⠃⠀⠀⢸⠀⢠⠘⢀⠁⢀⠂⠢⠁⠀⠀⠛⠀⠀⠀⠀⠐⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⡠⠀⠉⠀⠀⠀⠀⠊⠁⣠⢃⠁⠶⢠⢸⠀⠆⠈⠀⠣⠁⠁⠀⠀⠀⠀⣄⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠘⠀⢀⣯⣧⡞⠁⡌⠀⠀⣦⢸⠀⢀⠀⢁⠀⢀⠀⠁⠀⠀⠑⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⣼⣿⠟⠀⠠⠀⠀⠀⠀⠀⠀⢘⠀⠀⠀⠈⢁⠀⠀⠀⠀⠈⠀⡀⠀⠀⠀⠀⠀⠀⠀⠀⠐⢮⠗⠒⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⣼⣿⠃⠀⠀⠀⠀⠀⠁⠀⠀⠀⢘⠀⠀⠀⠀⠈⠂⠀⠀⠀⠀⠀⠈⢀⠀⠀⠀⠀⠀⠀⠀⠀⠈⡄⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⢀⡿⠃⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠨⠀⠀⠀⠀⠀⠈⠀⠀⠀⣴⡀⠀⠀⠐⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠈⠀⠀⠀⠀⠀⡀⠀⠀⠀⠀⠀⠀⠀⡀⠀⠀⠀⠀⠀⠠⠄⠀⠸⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
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Face Lift

2025

installtion

Face Lift looks at the mask as both protection and performance, revealing the fragile space between who we appear to be and who we are beneath. The repeated sounds of screeches and bells form a rhythm that feels both calming and uneasy.

Echoing the act of lifting a mask at day’s end, the installation explores identity as something constantly shifting, a struggle between concealment and truth, surface and self.
Installation view at VIsions in the Nunnery, Bow Arts (2025). Photo: Rob Harris
Installation view at VIsions in the Nunnery, Bow Arts (2025). 
Installation view at VIsions in the Nunnery, Bow Arts (2025). Photo: Rob Harris
miss word

2025

generative subtitle installtion

Fragments of Hollywood film dialogue recombine into an unstable language organism. Subtitle files are processed through part-of-speech tagging, broken into modular sets of verbs, nouns, adjectives, and adverbs. Using simple sentence structures, an algorithm generates grammatically coherent yet contextually unmoored phrases. Text drifts across sculptural screens—looping, glitching, reshaping itself. The subtitle never fully translates.

Language behaves like slime mould: decentralised, adaptive, self-organising. Meaning is mimicked, misheard, almost grasped, then lost again.

miss word isn’t about fluency, but the act of wandering through almost-understanding.

miss word evolves from Confusion Fusion, a project Madeto depict how I feel watching a non-subtitle film at the cinema in the UK.
Installation view at The Slime Knows, Brasserie Atlas (2025). 
Installation view at The Slime Knows, Brasserie Atlas (2025). 
Installation view at The Slime Knows, Brasserie Atlas (2025). 
G9

2024-2025

video + object

G9 (Vietnamese slang, short for "Good Night") takes viewers on a nocturnal journey into the subconscious.

From the POV of a Vietnamese roadman biker, the piece explores the tension between freedom, rebellion, and self-judgment. As the biker (myself) rides through a surreal, neon-lit dreamscape, liberated fantasies collide with the shame of taboo desires, revealing the conflict between personal pleasure and societal expectations. Using glitchy, fragmented visuals, G9 exposes how desire is constantly undermined by internalised social norms, even in our most private, unconscious moments. Paradox of freedom: The more we seek liberation through fantasy, the more we are constrained by self-surveillance and judgment.

G9 is both a film and a dream helmet. Its black wings, made from ethically sourced crow feathers, shield the roadman as he rides through his subconscious. Together, film and helmet merge into a singular vision—a quest for freedom in a world where even our dreams are policed.
Dream helmet in the studio
Screening on CTR screen at 𝒟𝒶𝓂𝓃 𝒮𝓌𝑒𝑒𝓉 𝒳𝐿 𝐻𝑜𝓊𝓈𝑒芳心公寓｡.✿, Milan, (2024).  Photo : Fiorella Landolfo
Screening on CTR screen at 𝒟𝒶𝓂𝓃 𝒮𝓌𝑒𝑒𝓉 𝒳𝐿 𝐻𝑜𝓊𝓈𝑒芳心公寓｡.✿, Milan, (2024).  Photo : Fiorella Landolfo
Installation view at Holographic Dream, Feelium, London, 2025.
Photo shop

2024

print

There are 341 versions of me here, none the same. The smaller I am, the easier it is to spot the differences.

4044

4044

???????

we have known beauty
which will last the years
a dream lies buried here
dance on.
i will meet you there



Confusion Fusion

2024

video

Imagine watching a 2-hour-long English-language movie without subtitles in your second language. How do you feel? Can’t relate? Good for you. Relatable? Well, I feel your struggle. As someone for whom English is a second language, this encourages me to go to the cinema less. I can speak and listen to English well, but the thought of missing some important moments because I can’t catch the words is discouraging. I am not deaf or hard of hearing, but my need for subtitles is somehow assumed to be a disability.

I made this work out of frustration. In a country as diverse as the UK, where millions of residents — immigrants, international students, long-term settlers — grew up speaking something other than English, why are subtitled screenings still the exception?


Confusion Fusion places Hollywood blockbuster subtitles over muted Vietnamese films. The subtitles — pulled from famous English-language films and remixed — become the sole narration, constantly shifting, generating infinite and absurd storylines. The Vietnamese film plays silently underneath, its original meaning inaccessible. When the subtitles become the cast, the film itself becomes the subtitles. Nothing makes sense. Or does it?

The whole work is muted. For once, the hearing audience is hard of hearing too.






First prototype was shown at Spectacle For Later at Rio Cinema, Dalston in November, 2022.

An Impossible and Abandoned Grasp

2025

zine 

An Impossible and Abandoned Grasp is a publication featuring essays on Kaori Oda’s  films for the occasion of the ICA’s retrospective weekend on her work by critics Emerson Goo, Nicolas Pedrero-Stezer, Nathan Geyer and interviews between Kaori Oda and Cici Peng. 

The envelope cover is 100% handmade with each being printed, cut and fold, punched.

Designed by Ivy Vo 
Edited by Cici Peng
Translations by Hannah Wu
Printed by Pagemasters


Baesianz

2022 - present

poster

Selection of favourite work I’ve done for Baesianz from 2022 - present

‘Come, let us soar beyond the moon…’ at Whitechapel Gallery (2025)
Pangkal Japan at Reference Point (2024)
Dr Martens LNY
2024title



A shapeshifter dragon for 2024, the year of Wood Dragon.

Inspired by the dragon dance by Nhan Nghia Duong crew that I always saw growing up.


Creative Director + Film Director: Jyni Ong
Producer: Tiger Hagino Reid
Production Assistant: Sharissa Lee
Photography: Jess Govinden
Graphic Design: Ivy Vo
Videographer + Editor: Hassan Joof
Sound Engineer: Max Battista
Music: Esme Emerson / LVRA
Talent: Esmer Emerson / LVRA





Sine Screen_Ghosts, Monsters and Cinematic Elsewhere


2024poster + postcard

The programme showcases the work of Indonesian artist Riar Rizaldi, whose practice explores the intersection of horror, politics, and technology, curated by SineScreen ( Cici Peng ), followed with an artist talk hosted by April Lin.

The event is part of Sine Screen’s ongoing curatorial series <Vulnerable Histories>.

Damn Sweet XL House 芳心公寓｡.✿
 2024  exhibition poster

BiM and SPECIFIC present 𝒟𝒶𝓂𝓃 𝒮𝓌𝑒𝑒𝓉 𝒳𝐿 𝐻𝑜𝓊𝓈𝑒芳心公寓｡.✿, a group show and hybrid performances event curated by y1cong and organized in collaboration with Loris, with support from Pallina. The featured artists explore the provocative power of images, video art, installations, and performances… all with playful and whimsical undertones.


Captivated by 𝒱ℐ𝒩𝒜𝒳𝒪𝒜's unique "cheesy internet aesthetic," Yicong initiated this collaborative project, reimagining the exhibition space as a life-sized dollhouse and requesting its visual translation. Taking the inspiration of the early day of Cyworld, myself and Blair remain with 𝒱ℐ𝒩𝒜𝒳𝒪𝒜's signature blend of glitter, roses, pixelation and cuteness overload, evoking the playful, sexy femininity. Just girly things!


Curated by @y1cong_o0
Organized by @loris.gentile & @y1cong_o0
Supported by @pallina_tuttofuoco & SPECIFIC @specificissimo
Production: y1cong_o0 & Simona Coltello @simonacoltello
Set-design Linh Vo @linh.v.o
Visual identity and artworks: vinaxoa @vinaxoa

The main room

The green room
The living room
The dancefloor
The bar
MØRNING.FYI_BURN BØØK

2023

zine cover + calendar

Cover artwork, calendar design for MØRNING.FYI’s first zine: BURN BØØK.

◘minus one_Enter The Noid


2023
visualiser

Visualiser for minus one: Enter The Noid at ICA


minus one: Enter The Noid
ICA London
15/06/2023

Knifedoutofexistence
Jennifer Walton + Daniel Evans (live / improv set)
CADY
Braden Wells b2b Ringtones
click for sound